THIERRY GIRAULT QUARTET

It’s the melody, and then the finesse of the piano playing, that move you from the very first listen. Then come the lightness and extreme intelligence of the drumming, which, together with the clear, precise sound of the double bass, forms a rhythm section perfectly suited to the composer’s music. As for the sax, you can hear the melodic devotion it devotes to its friend, and it seems to be nothing more than the breathing image of the Mycelium, that invisible network that links musicians and music lovers. After the first listen, as if in a dream, you can’t help but put Mycélium back on the turntable. The sign of a great album that can be listened to again and again.